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If you have, say, an 18-55mm kit lens, you’ll get more blur at 55mm than 18mm.įor prime lenses, the same concept applies, but it’s a bit trickier because you’ll likely have different focal lengths with different aperture ratings. Longer focal lengths produce a shallower depth of field than shorter ones at the same aperture, so by zooming in, you increase the amount of bokeh you can get. If you’re working with a zoom lens, start by zooming in as far as it will go. This will let you adjust the aperture to control depth of field, but the camera will automatically set the shutter speed so you don’t have to worry about the proper exposure.
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If you’re still new to manual settings, start in Aperture Priority mode (also called Aperture Value on Canon cameras). A kit lens may only open to f/5.6, but work with what you have. To take a photo with the most bokeh, set the aperture to its widest setting (which is indicated by the smallest f-number, such as f/1.8). The aperture determines how much light passes through the lens, but in addition to letting in more light, a larger aperture produces a shallower depth of field. You can read our depth of field explainer for a deeper dive into how it works, but there are basically three things you can change on your camera to control it: aperture, focal length (zoom), and distance.
#Bokeh lens for iphone how to
How to shoot bokeh photos with your DSLR or mirrorless camera Sigma 40mm F1.4 Art on a Canon EOS 5D Mark IV Daven Mathies/Digital TrendsĪgain, great bokeh starts with a shallow depth of field, where your subject is kept sharp but everything in front and behind of it is blurred. So if you’ve got a subject and location in mind, here are the next steps. Sometimes, it really is enough to make a picture look pretty good bokeh may turn an otherwise boring subject into Instagram gold. When used correctly, bokeh can enhance both the aesthetic and the theme of your images, whether stills or video. The point is simply that you should think about how you use bokeh, rather than just go for the “more is better” approach.
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There is a lot of subjectivity at play here and you’re free to disagree with my assessment. The shot is also framed to use the bokeh to draw your eyes to the subject, rather than tempting them away to the wrong part of the frame, as in the Need for Speed shot. It’s similarly lit, with comparable amounts of point-light blur circles in the background, but the bokeh is all a single color and almost perfectly round, without a distracting aperture shape. Need for Speed – DreamworksĬontrast that to this shot from the Top Gun: Maverick trailer (which is really something - go watch it if you haven’t yet). This isn’t “bad” bokeh - it looks cool out of context - but it’s certainly a mismatch for the scene. Plus, because the character is barely lit, the bokeh becomes even more noticeable - at a time when it really shouldn’t be. The shape of the aperture blades is clearly visible in the blur circles, which causes the bokeh to upstage the actors, and it’s framed in such a way that you can’t ignore it.
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Shot at night and dimly lit, it’s a rare slow moment in the movie - except for the wild and colorful background bokeh that would be more at home in a party scene. It’s during a downtempo emotional scene immediately following a near-fatal car crash. An example of this that has stuck with me is from the 2014 film Need for Speed. A popular look is to hang Edison bulbs in the background of a shot ( I’m guilty of this) or hold shiny objects, like prisms or string lights, directly in front of the lens to create foreground blur.īut even “good” bokeh can go wrong. You can also create your own bokeh by introducing elements into the scene. At night, city scenes can make for fun or dramatic bokeh from street lamps, traffic lights, and neon signs.
During the day, a forest canopy can produce striking bokeh as sunlight filters through the leaves, creating a cascade of sparkling light sources in the background. A plain white wall won’t produce interesting blur, even with a very shallow depth of field. There’s no right or wrong answer, but a certain look may be better or worse for certain subjects.īeyond the lens and camera, the scene itself contributes to the quality of the bokeh. Among other styles, it can be feathered, swirly, or look like soap bubbles. Everything from the shape of a lens’s aperture blades to how the glass itself is designed contributes to the quality of bokeh, and we have different words to describe the different types. The shallower your depth of field, the more blur you’re going to get. How to photograph fireworks and capture the colors of Independence Dayīokeh is connected to depth of field.
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